Book1Blog

Welcome to Book1Blog

Welcome to Book1Blog, a blog dedicated to providing information and a forum for those interested in book self-publishing and print-on-demand (POD) technology.

The content for posts that will be published in this blog is based on the knowledge and writings of several of the most respected and knowledgeable professionals in the book publishing industry: Dan Poynter, founder and President of ParaPublishing.com, Danny O. Snow, founder of Unlimited Publishing, LLC and Marilyn Ross and Sue Collier, co-authors of The Complete Guide to Self-Publishing. From time to time we will also feature guest authors who will share their expertise in specific areas of book writing, publishing and promotion.

We hope that, as new articles appear, you will send us your comments, feedback and ideas. Whether you are an aspiring author, a professional in the book publishing arena, or just someone who has an interest in self-publishing and the print-on-demand process, we encourage and would appreciate your input.

We also invite you to subscribe to our feed. That way, you will be alerted to new posts as they are published.

Three Important Rules to Follow When Creating Your Book Cover

Dan Poynter offers these important rules when it comes to creating your book cover.

Rule # 1: Draft your cover sales copy first.

In order to focus on who your book customers are and what you plan to share with them, write the first draft of your book-cover sales copy before you write your book. Think about who your primary audience will be and list the benefits of your book. Tell the bookstore browser what is inside and how your book will help them. Your back cover will make an excellent outline. Then write your book and deliver on your promises.

Drafting the cover copy will make the book writing easier because it will enable you to focus on your readers and provide you with a list of what you plan to tell them.

Rule #2: Do not leave the writing of your sales copy to someone else.

Book cover designers can do a terrific job a laying out the package and incorporating the illustration, putting it all on disc, and sending it to the printer - but someone must draft the sales copy. That someone should be you. Publishers are notorious for writing weak copy. So, do it yourself - and be assertive! 

Rule # 3: Do not put your photo on the front or back cover.

Your book cover is prime space, and there is not much of it. The front cover is your billboard - make it attractive. Your back cover is for sales copy - make it convincing. Don't put anything on the cover that will not sell the book. Unless your face is recognizable because you are a politician, movie star or other high-profile person, leave it off the cover.

Your author photograph should be in your book. Your readers are investing their time and money in you, and many want to now who is talking to them. Put your photo in the front matter on the "About the Author" page. Thank write a whole page about yourself.

So forget the ego trips, you book cover should be used only to sell your book.

[This post was created, with permission, from excerpts take from Successful Nonfiction, written by Dan Poynter. Dan can be contacted through Para Publishing.]

How to Tap Into the Lucrative Library Book Market - Part 2

In part 1 of this two-part post, published last week, we provided some background into the library market and some tips on how to begin a book promotion campaign. In today's part 2, we'll explore some ways to capture the attention of libraries.

Library ordering often goes in cycles. You'll discover that certain periods during the year may yield a better response than others. The best time to contact libraries is just before the end of their fiscal years, as they may be in a hurry to use up unappropriated and available funds - or they may be collecting information to purchase in the new year when new funds become available.

There are other ways to connect with librarians, also. Exhibiting your book at the American Library Association Conference or midwinter conference, or specific annual state conferences, may make sense. There are also subject-specific library conferences that could yield tremendous sales opportunities for a niche book.

And don't forget libraries as a means of promoting your book. Libraries are author friendly and many sponsor book readings or seminars - with books sold in tandem. To find out more, check with the public relations department of larger libraries.

To capture the attention of librarians, send excerpts of your book - or a complete book review, if it is short. Also include testimonials and advance comments. Make ordering your book easy by providing an order form (coded, so that you can track results). Because library ordering tends to be a slow, bureaucratic process, there is no real advantage for your mailings to go out first class. Bulk postage will cut costs and probably not reduce results.

There are a wide variety of libraries to consider when planning your book marketing strategy. Here are some examples:

• Church and synagogue libraries.
• Military libraries.
• Business and technical libraries.
• Art and architectural libraries.
• Music libraries (there about 500 of them).
• School and college libraries.

You will find that the list can become quite extensive.

As you begin your focus on the potential library markets, match your book with the interests of the libraries you plan to target. This will eliminate wasting time, effort and money.

[This post was created, with permission, from excerpts taken from The Complete Guide to Self-Publishing, 5th Edition, co-authored by Marilyn Ross and Sue Collier.]

How to Tap Into the Lucrative Library Book Market - Part 1

[This is Part 1 of a two-part post on the library book market. This first part discusses how to start your book promotion to libraries.]

Would you believe that there are approximately 123,000 libraries, including school, public and special libraries, in the United States - and their purchasing power is close to $2 billion. Yes, libraries can offer great potential to self-publishers. Besides the shear volume, there are other factors that make libraries a great potential market?

1. Most book marketers recommend that library book sales be at full retail price, unless larger quantities are purchased.
2. Unlike bookstores, libraries involve no return hassles.
3. Some public library systems order for their branch libraries, and orders can be sizeable.

To begin your library marketing campaign, start local and contact the proper person in your local library system. Call the main branch and ask who is in charge of acquisitions of your type of book (genre). Send or leave a complimentary copy of your book, along with plenty of promotional material, to be circulated. Potential library books are displayed for branch librarians to examine and order. Consequently, it may be a couple of months before you actually receive a purchase order. Finally, be sure to cover all of your local bases, as there may be several library systems in your area.

Now that you have tapped the local library sources, the whole country could be your next target. Librarians are very review driven - they put a lot of stock in the primary review media. For that reason, you would be wise not to approach them until you can obtain a favorable review in one of the following: Library Journal, Booklist, Publishers Weekly, and if your book is directly toward children or young adults, School Library Journal. These publications carry great weight with librarians.

And don't overlook Internet reviews. Librarians are known to be "information junkies."

Fortunately, libraries are interested in books other than just bestsellers. They seek titles of good quality that fill a well-defined patron need. For instance, if your book deals with African American studies or a topic of interest to Hispanics, you'd be wise to contact libraries in areas with these high ethnic populations.

Librarians aren't moved by hyperbole. They want to see significant reviews, a table of contents, and a typical entry for a directory or reference book. They also need all the book's vital statististics such as ISBN, LCCN, year of publication, binding info, and grade levels for children's books. And they'll appreciate a listing of distributors and wholesalers that carry your title.

In part 2 of this post to be published next week, we'll discuss ordering tendencies by libraries and how to capture their attention.

[The above post was create, with permission, from excerpts taken form The Complete Guide to Self-Publishing, 5th Edition, co-authored by Marilyn Ross and Sue Collier.]

How Big or Small Should My Page Margins Be?

By guest author Karrie Ross.

Margins can be extremely important when it comes to designing your book's pages. This is the space between the trim edge and the text box copy. It's what we consider as the "white space" and helps keep your text in a safe space called the "live area" of your page layout.

You can make your margins a big or as small as you wish. But in considering what size your margins should be, here are some things you should know about good margin design.

1. Margins overall can vary in size depending on the look and readability your are looking for in your design.
2. The gutter margin, or the margin on the inside or binding edge of the page, should be wider than the outside margins. This will put less stress on the binding edge and spine when the book is opened and read.
3. Margins in general do best when they measure a least .5 inches for top, bottom and outsides, and at least .75 inches for gutter margins.
4. If your margin is too small or narrow, you might lose some of your content when the final printed book is trimmed.
5. And when considering your cover, margin design can vary from one type of cover to another. The best advice is to examine what other book covers look like to obtain a feel for the margin styles that are acceptable.

When it comes to formating both the interior and exterior of your book, be sure to pay close attention to your margins. Good margin design will enhance both your book's appearance and readability.

[Among other services she offers, Karrie Ross is nationally recognized for her book cover design expertise and coaching she provides authors. She can be contacted at www.BookCoverDesign.com.]

This Handy Checklist Will Help You Complete Your Book Project

Prior to completing your book writing project, here is a handy checklist that will help avoid something "falling through the cracks."

1. If it is late in the year (September through December), use the following year for the copyright and publication date. Shoot for a January release. This avoids the "appearance" of your book being old, when it is actually new.

2. Research online and at your local library to compile a list of publications that might write a book review.

3. Each advance copy you send to a reviewer costs money, so offer copies only to those who are realistically likely to review your book.

4. If you want to sell your books through chain bookstores, Amazon.com, other online venues and to libraries, you will need an International Standard Book Number (ISBN) and possibly a Library of Congress Control Number (LCCN) and/or Catalog-in-Publication (CIP) data. Information about applying for an ISBN is available from R.R. Bowker. Details about LCCN applications and CIP datat may be obtained from the Library of Congress. Your book will also need a barcode with the ISBN on the back cover.

5. If you plan to use direct mail, prepare your materials well in advance. It is much better to send a smaller, carefully targeted mailing than a larger mailing with less direct interest. If possible, start with a test mailing of 200 pieces.

6. Create a website for your book before it is released. Offer a sample chapter or excerpts as a free preview. Be sure your site includes an online press kit with a sample book cover.

7. Highlight your website location on your book's back cover, on your letterhead, business cards, other promotional pieces and in the signature of every email message you send.

8. Consider offering "autographed" copies, which add value for readers.

9. Notify personal contacts and others who have a special interest in your book's subject matter.

10. Don't forget to notify the publications of schools you attended and fraternal, social, religious or professional groups with which you are affiliated.

[The above checklist was created, with permission, from excerpts taken from U-Publish.com 5.0, co-authored by Dan Poynter and Danny O. Snow.]